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Philipp Fleischmann

Philipp Fleischmann works as an artist and filmmaker in Vienna, Austria. Since 2014, he has been the artistic director of the School Friedl Kubelka for Independent Film, where he himself studied in 2006. Further studies at the Academy of Fine Arts Vienna with Dorit Margreiter Choy and at the Royal Danish Art Academy with Gerard Byrne.

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Simona Ferrari

Simona Ferrari is an architect working across different scales and formats. Practicing both independently and collaboratively, her work explores architecture and the built environment through building, photography, drawing, and writing. Simona studied architecture at the Politecnico di Milano and the Technical University of Vienna and received her Master’s degree from the Tokyo Institute of Technology as a Monbukagakusho fellow. She completed a Master of Fine Arts at the Zurich University of the Arts. Alongside her practice, between 2017-2023, Simona taught and conducted research at the Department of Architecture at ETH Zurich, Chair of Architectural Behaviorology, where she co-authored the book “Swiss Window Journeys: Architectural Field Notes” (gta Verlag, 2023). She was assistant curator of the Japan Pavilion at the 16th Venice Architecture Biennale (2018). Previously, she worked with Atelier Bow-Wow in Tokyo, leading several international projects, including the Search Library in Muharraq, Bahrain, installations and exhibitions at the Cultural Center of Chicago, Harvard GSD, the National Museum of Modern Art in Tokyo, the MAXXI Museum in Rome, and the Triennale di Milano. Her project “Landscape In-Between,” for the former industrial site of Acetati in Verbania, Italy, carried out together with Metaxia Markaki, was awarded in the 15th edition of the Europan architectural competition and subsequently developed as an urban plan commissioned by the municipality and involving the local community. Simona was an architect-in-residence at the MAK Center for Art and Architecture in Los Angeles and at the Charles Moore Foundation in Santa Monica to conduct a research on gardens.

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Céline Brunko

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Marcel Dickhage

titre provisoire is a collaboration between the artists Cathleen Schuster and Marcel Dickhage. They live in Berlin and work from a conceptual approach in time-based media, with staged film, essay film and video installation. They are alumni of the Whitney Independent Study Program and the Academy of Visual Arts Leipzig. Recent exhibitions include Halle für Kunst Lüneburg, Singapore Biennale 2019, the public space of Semmering, Horse&Pony Berlin, D21 Leipzig, Sharjah Art Foundation, after the butcher Berlin, Taxispalais Kunsthalle Tirol, Kunstverein Harburger Bahnhof Hamburg, Berlinische Galerie, GfZK Leipzig, Ludlow 38 New York, Kunsthalle Düsseldorf, SAVVY Contemporary and the Kyiv Biennale 2015. Films they have worked on have been shown at Anthology Film Archives, Berwick Film Festival, FID Marseille and Prismatic Ground, among others. In 2022, they developed the online journal Rosa Mercedes Issue No. 4 „Coincidences in Prepositions“ in collaboration with Renan Laru-an, the Vargas Museum Manila and the Harun Farocki Institute Berlin. They have been invited for lectures/conversations at the forums of Impossible Dreams hosted by Patrick Flores in the Taiwan Pavillion at the 59th Venice Biennial or at the South London Gallery amongst others, and they have been teaching at Institute for Art and Art Theory, University of Cologne and at the Angewandte, Vienna.

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Cathleen Schuster

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Louise Morin

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Melanie Ebenhoch

Melanie Ebenhoch (*1985) studied at the University of Applied Arts in Vienna, at HKU Utrecht, and at the Sandberg Institute Amsterdam. She has exhibited at the Museum der Moderne Salzburg, Belvedere 21, Kunsthalle Wien, Galerie Martin Janda Vienna, Galerie der Stadt Schwaz, Union Pacific London, L’Inconnue Montreal, Heiligenkreuzerhof Vienna, Kevin Space Vienna, and Hester New York. She has upcoming exhibitions at KUnsthalle Bratislava, MQ Artbox Vienna, Kunstraum AA Bludenz, and the MAK Schindler Residency in Los Angeles.

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