Frederick J. Kiesler Endless Space highlighted the Endless House (1959), a project developed over a 30-year period that offers a rich synthesis of the architect’s theories.

heaven’s gift — Contemporary Art Tower, A New Programmatic Strategy for the Presentation of Contemporary Art, by design partners Peter Noever, Sepp Müller, and Michael Embacher, addressed new curatorial strategies by proposing to transform an enormous World War II anti-aircraft tower into an international center for contemporary art.

An exhibition by the MAK Center Artists and Architects-in-Residence.

heaven’s gift — Contemporary Art Tower, A New Programmatic Strategy for the Presentation of Contemporary Art, by design partners Peter Noever, Sepp Müller, and Michael Embacher, addressed new curatorial strategies by proposing to transform an enormous World War II anti-aircraft tower into an international center for contemporary art.

An exhibition by the MAK Center Artists and Architects-in-Residence.

Cindy Bernard’s body of work, Location Proposals, examined how our perception of landscape and the built environment is coded by culture.

German artist Beate Passow’s work, Numbers, consisted of large-scale color photographs, each showing a forearm tattooed with a concentration camp identification number.