Kasper Kovitz is an Austrian artist living and working in the United States for the last three decades. Since 1999, he has been creating individual fragments as part of a larger, overarching plan for a holistically envisioned ‘super installation’.

His work has been shown in a number of solo and group shows internationally, including foundations and museums in New York, Los Angeles, Tokyo and Vienna. Two of his sculptures were acquired by the Saatchi Collection in London. Kasper Kovitz was awarded the MAK/Schindler scholarship, the International Studio and Curatorial Program twice, the Marie Walsh Sharpe scholarship and the Pollock-Krasner Fellowship. Kovitz taught at the American University of Beirut in Lebanon and currently is Professor of Art at Scripps College and Extended Faculty at the Claremont Graduate University (CGU), both in Claremont, California.

A monograph about The Lessons, a 2023 series of 35 paintings, 92 pgs, 60 color illustrations, with an interview with KK by Chris Kraus, an essay by Pil and Galia Kollectiv and a conversation with KK by Matt Poole, was publlished by Verlag für Bildende Kunst - VFBK in 2024.

Andrea Lenardin Madden is an Austrian-born architect, designer, and creative director and a Fulbright Fellow whose work bridges disciplines and territories.

Educated in Vienna (University of Applied Arts) and Los Angeles(SCI Arc), she brings a global perspective to architecture, design, and brand experience.

Through her multidisciplinary practice, a l m project, Andrea creates immersive, meticulously realized worlds. The studio’s work has received distinctions including the German Design Award in Gold, the James Beard Design Award, and numerous AIA Design Awards.

Gilbert Bretterbauer has been working in Vienna, Japan and the US throughout the course of his career. He founded “studio bretterbauer/baldwin” in Vienna and Los Angeles in 1998 and “bretterbauerobjects” in 2012. He designs interiors, produces furniture and creates art objects and installations. Abstraction plays a crucial role in Bretterbauer’s versatile practice, manipulating with audacity and wit the millenial old weaving technique. He is mostly known for his art carpets, his lamp objects and his furniture made out of twisted steel-pipes. Displaying intense colors, compelling textures, sinuous lines and chaotic perspectives, his objects are never strictly functional.