Oliver Croy is based in Vienna, where he graduated from the University of Applied Arts. In the 1990s, he initiated the project Sondermodelle in collaboration with curator Oliver Elser. The project centers around 387 model houses created by the Austrian insurance clerk Peter Fritz, and has been exhibited at major international venues including the Venice Biennale, the New Museum in New York, and the Berlin Biennale. Croy is also the co-founder of Croy Nielsen, a contemporary art gallery established in Vienna in 2016.

Marlene Haring deals with the social construction of places and events. Her work — performance, intervention, installation — reflects and intervenes on the regulations and conventions which govern social relationships and behaviours. It stems from site-specific investigations in which she is both researcher and guinea pig. The social construction of relationships and identities is her material. Her work is performative because: it creates and alters situations. She makes artworks that do what they say, and a bit more. She has exhibited and performed internationally since 1998, among others at The Function Room London (2015, 2016); Künstlerhaus, Vienna (2014, 2011, 2009); Tenderpixel, London (2013); Lentos Kunstmuseum, Linz (2013, 2012); Casino Luxembourg Forum d’art contemporain (2012); Modern Art Oxford (2010); Berlin Biennale (2010) and at Secession, Vienna (2010), where she once presented Closed Because of Pubic Hair (2009) in lieu of a lecture.

Catrin Bolt (born 1979) lives and works in Breitenstein and Vienna. She studied from 1997 to 2003 under Peter Kogler in the media class at the Academy of Fine Arts in Vienna.

Robert Gfader, born in 1967 in Munich, studied architecture at the University of Innsbruck and lives and works in Berlin and Tyrol.

He has received, among other honors, the City of Innsbruck Prize for Artistic Creation, the Tyrolean Award for Contemporary Art, and the MAK Schindler Fellowship in Los Angeles.

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