In recent years, the artistic work of Songül Boyraz has focused on her own hair in order to explore the experiences of women in public and everyday life (family, religion, hierarchical and social constraints etc.), whose lives are rejected, questioned, and forced to exist within the boundaries set by others in positions of authority. These experiences consist of examples that fundamentally harm human life through physical and psychological violence. The artist’s work, therefore, aims to reflect the destruction and consequences of both psychological and physical bullying from her own perspective.

The oeuvre of the Berlin-based artist David Zink Yi revolves around themes of creation, manifestation, and the construction of identity. Born in Lima in 1973, Zink Yi left Peru for Germany at the age of 16. Drawing inspiration from his own experiences, he interrogates the complex aspects of identity construction through his multi-disciplinary practice; encompassing film, photography, sculpture, performance, ceramics and multi-channel video installations, which all emphasize the social interrelation of the protagonists, as well as physiological aspects of musical perception.

Stefan Röhrle was born in Munich. After completing his A-levels, he studied Stage and Film Design at the University of Applied Arts in Vienna, Institute for Fine and Media Art. In 2002, he received his diploma with distinction. Since 1997, he has lived and worked in Vienna as an artist, stage designer, and costume designer. In 2005, he participated in the MAK-Schindler Artists and Architects-in-Residence Program at the Mackey Apartments in Los Angeles.

Dariusz Krzeczek lives and works in Vienna. He studied New Media Art at the University of Applied Arts in Vienna under Prof. T. Fürstner and Prof. P. Weibel, receiving his diploma in 2004. He received an Honorable Mention for Unterwerk at Ars Electronica 2000 in Linz, the Special Award in the Short Competition at the Split Film Festival for Luukkaankangas – updated, revisited in 2005, and the Golden Impakt Award at the Impakt Film Festival for the same work in 2006. In 2005, he participated in the MAK Schindler Artists and Architects-in-Residence Program in Los Angeles. His practice includes video, installation, and audiovisual performance.

Annja Krautgasser was born in 1971 in Hall in Tirol and lives and works in Vienna. She studied Visual Media Design under Prof. Peter Weibel at the University of Applied Arts Vienna from 1990 to 1998, and Architecture at the University of Innsbruck under Prof. Volker Giencke and at the Technical University of Vienna from 1996 to 2002.

Vancouver- and Vienna based artists Sabine Bitter and Helmut Weber collaborate on projects addressing the politics of how cities, architecture and urban territories are made into images. Mainly working in the media of photography and spatial installations their research-oriented practice engages with specific moments and logics of the global-urban change as they take shape in neighborhoods, architecture, and everyday life. Focusing architecture as a material frame for spatial, social, and cultural meaning, their ongoing research includes projects such as “Mapping as Shifting Perspectives”, “Educational Modernism,” “Performing Spaces of Radical Pedagogies”, and “Housing the Social.”

Exhibitions include: Künstlerhaus Wien, (2025); Austrian Cultural Forum Cairo, (2024); nGbK Berlin (2023); ACFNY, New York (2022); HKW Berlin, SAAG, Lethbridge (2021); Fotogalerie Wien; Republic Gallery, Vancouver (2019), Gallery Structura, Sofia, Bulgaria; Museum der Moderne Salzburg; Carinthian Museum of Modern Art, Klagenfurt; (2018)

Publications include: “encounter Educational Modernism”, “unsettling Educational Modernsim”, “Bildungsmoderne entzaubern”, “Making Ruins”, “Werkschau XXIII, Sabine Bitter & Helmut Weber”; “Front, Field, Line, Plane”, “The Militant Image Reader”, “Autogestion, or Henri Lefebvre in New Belgrade”, “BitterWeber: Live like this!”, “Caracas, Hecho en Venezuela”.

In 2004, they formed the urban research collective Urban Subjects with Canadian writer Jeff Derksen.

Sabine Bitter is Professor at Simon Fraser University’s School for the Contemporary Arts in Vancouver, Canada.

Vancouver- and Vienna based artists Sabine Bitter and Helmut Weber collaborate on projects addressing the politics of how cities, architecture and urban territories are made into images. Mainly working in the media of photography and spatial installations their research-oriented practice engages with specific moments and logics of the global-urban change as they take shape in neighborhoods, architecture, and everyday life. Focusing architecture as a material frame for spatial, social, and cultural meaning, their ongoing research includes projects such as “Mapping as Shifting Perspectives”, “Educational Modernism,” “Performing Spaces of Radical Pedagogies”, and “Housing the Social.”

Constanze Schweiger portrays people in staged situations providing space for an encounter. The presence of the models is to be understood as a personal gesture and is a subjective contribution to the resulting artwork: Anything someone does becomes significant. On a formal level personal interaction becomes abstract and generates meaning.

In her work she deals with the possibilities within the individual's sphere of influence, especially with the formal aspects of ordinary actions and decisions. Two activities are therefore brought together—sharing a social moment and painting.

Barbara Holub is an artist, researcher and curator, based in Vienna. In 1999 she founded transparadiso with architect and urbanist Paul Rajakovics as a transdisciplinary practice between art, architecture, urbanism and research.

Florian Hecker was born in 1975 in Augsburg, Germany. In his sound installations and live performances, he deals with specific compositional developments of post-war modernity, electro-acoustic music, and other, non-musical disciplines. He dramatizes space, time and self-perception in his sonic works by isolating specific auditory events in their singularity, thus stretching the boundaries of their materialization. Their objectual autonomy is exposed while simultaneously evoking sensations, memories, and associations in an immersive intensity. Hecker studied Computational Linguistics and Psycholinguistics at Ludwig Maximilian Universität, Munich and Fine Arts at the Akademie der Bildenden Künste, Vienna, where he received his diploma.

Miriam Bajtala, visual artist and filmmaker. The themes of her artistic exploration revolve around perception, space, memory, (self-)empowerment, witnessing, representation and the power of poetry. Her works can be seen in exhibitions and at film festivals.

Paul Rajakovics is an architect and urbanist, based in Vienna. In 1999 Barbara Holub and Paul Rajakovics founded transparadiso that operates at the intersection of art, architecture and urban intervention and developed the method of direct urbanism – as socially engaged urbanism.

Paul Rajakovics is vice president of the ZV/ Central Association of Architects Vienna, Lower Austria and Burgenland. He was co-secretary of EUROPAN Austria (2004–2007) and co-advisor for architecture, Forum Stadtpark, Graz (1996-1997). Since 2017 he has been Expert for Urban Design of Styria, Austria. He has been a member of the editorial board of the urban research journal "dérive", Vienna (since 2001), and partner of the EU project SPACEX—Spatial Practices in Art and Architecture for Empathetic Exchange (2022–2025).

Since 1997 Paul Rajakovics has been lecturing, given workshops and was guest critic at various universities including UMPRUM, Prague (CZ); IUAV, Venice (I); Valand Academy of Fine Arts, Gothenburg (Sweden); Academy of Fine Arts Vienna; University of Arts, Linz; Academy of Fine Arts Bratislava (SK); Universidad Tecnica/ Valparaíso and Universidad Católica, Valparaíso (Chile).
He was Professor of Transformation Design at the HbK/ Academy of Fine Arts Braunschweig, Germany (2022-2023), and assistant professor at the Dept. of Housing and Design/ Vienna University of Technology (1997-2003; 2009-2017), where he is currently lecturing.

Paul Rajakovics was awarded the Austrian National Art Award (2018), the Otto Wagner Prize for Urban Design (2007), the Schindler Grant of the MAK Center for Art and Architecture, Los Angeles (2004), and the Tische-Grant of the Austrian Federal Chancellery (1994) at Agence Jean Nouvel, Paris, 1995.

Oliver Croy is based in Vienna, where he graduated from the University of Applied Arts. In the 1990s, he initiated the project Sondermodelle in collaboration with curator Oliver Elser. The project centers around 387 model houses created by the Austrian insurance clerk Peter Fritz, and has been exhibited at major international venues including the Venice Biennale, the New Museum in New York, and the Berlin Biennale. Croy is also the co-founder of Croy Nielsen, a contemporary art gallery established in Vienna in 2016.

Marlene Haring deals with the social construction of places and events. Her work — performance, intervention, installation — reflects and intervenes on the regulations and conventions which govern social relationships and behaviours. It stems from site-specific investigations in which she is both researcher and guinea pig. The social construction of relationships and identities is her material. Her work is performative because: it creates and alters situations. She makes artworks that do what they say, and a bit more. She has exhibited and performed internationally since 1998, among others at The Function Room London (2015, 2016); Künstlerhaus, Vienna (2014, 2011, 2009); Tenderpixel, London (2013); Lentos Kunstmuseum, Linz (2013, 2012); Casino Luxembourg Forum d’art contemporain (2012); Modern Art Oxford (2010); Berlin Biennale (2010) and at Secession, Vienna (2010), where she once presented Closed Because of Pubic Hair (2009) in lieu of a lecture.

Catrin Bolt (born 1979) lives and works in Breitenstein and Vienna. She studied from 1997 to 2003 under Peter Kogler in the media class at the Academy of Fine Arts in Vienna.

Robert Gfader, born in 1967 in Munich, studied architecture at the University of Innsbruck and lives and works in Berlin and Tyrol.

He has received, among other honors, the City of Innsbruck Prize for Artistic Creation, the Tyrolean Award for Contemporary Art, and the MAK Schindler Fellowship in Los Angeles.

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Corinne Rusch studied at the Zurich University of the Arts (ZHdK) from 1995 to 1996. She then studied at the University of Applied Arts (ZHdK) in Zurich, at the Institute for Fine and Media Arts, Stage and Film Design, and graduated with honors in 2001.

Suwan Laimanee’s art practice is founded upon the 2,500-year-old yoga-based Thai medical massage system. It is a Thai tradition of healing massage rooted in Indian philosophy, Ayurvedic medicine, Chinese medicine, and Buddhist spiritual practice. Thai massage is a combination of mind and body therapy, incorporating Hatha yoga, acupressure points, reflexology, meditation, and healing art.

Born in Brixen, Italy, Roland Oberhofer has pursued educational and professional activites in Vienna, Paris, Los Angeles, and Mexico City.